CONSULTED TEXTS
Alexomanolaki, Margarita, Catherine Loveday, and Chris Kennett. “Music and Memory in Advertising: Music as a Device of Implicit Learning and Recall.” Music, Sound and the Moving Image 1, no. 1 (2007): 51-71.
Archer-Brown, C., J. Kampani, B. Marder, A. Bal, and J. Kietzmann (in press, expected 2016). “The role of movie trailers in generating word-of-mouth.” Journal of Advertising Research.
Artis, Anthony Q. “Post-Production”. In Shut Up and Shoot Documentary Guide: A Down & Dirty DV Production, 215-241. Burlington, MA: Taylor and Francis Publishing, 2014.
Bain, Julie. “Not Just a Sneak Peek: Using Film Trailers in the Classroom.” Screen Education 62 (2011): 62-66.
Ballouli, Khalid, and Michael Hutchinson. “Effects of Brand Music On Attitudes Toward a Team Advertisement.” Journal of Issues in Intercollegiate Athletics 6 (2013): 268-285.
Barker, Martin, and Ernest Mathijs. “Researching World Audiences: The Experience of a Complex Methodology.” Participation 9, no. 2 (2012): 664-689.
Baur, Bernard. “How to Get Your Songs into Movie Trailers.” Music Connection 31, no. 22 (October 22, 2007): 40-41.
Bernstein, Arthur, Naoki Sekine, and Dick Weissman. The Global Music Industry: Three Perspectives. New York: Routledge, 2013.
Boksem, Maarten A.S. and Ale Smidts. “Brain Responses to Movie Trailers Predict Individual Preferences for Movies and Their Population-Wide Commercial Success.” Journal of Marketing Research 52, no. 4 (2015): 482-492.
Boltz, Marilyn. “Musical Soundtracks as a Schematic Influence on the Cognitive Processing of Filmed Events.” Music Perception 18 (2001): 427-454.
-------. “The Cognitive Processing of Film and Music Soundtracks.” Memory and Cognition 32, no. 7 (2004): 1194-1205.
Boltz, Marilyn, Brittany Ebendorf, and Benjamin Field. “Audiovisual Interactions: The Impact of Visual Information on Music Perception and Memory.” Presented at The Meeting of the Psychonomic Society, Chicago, IL, November, 2008.
Boltz, Marilyn, Matthew Schulkind, and Suzanne Kantra. “Effects of Background Music on the Remembering of Filmed Events.” Memory & Cognition 19 (1991): 593-606.
Buhler, James, David Neumeyer, and Rob Deemer. Hearing the Movies: Music and Sound in Film History. New York: Oxford University Press, 2009.
Campbell, Richard, Christopher R. Martin, and Bettina Fabos. Media & Culture: Mass Communication in A Digital Age. Bedford Books, 2013.
Carter, S., A. Cox, and M. Bostock. “Dissecting A Trailer: The Parts of the Film That Make the Cut.” The New York Times, February 19, 2013, athttp://www.nytimes.com/interactive/2013/02/19/movies/awardsseason/oscar-trailers.html?_r=0 (accessed September 27, 2016).
Chion, Michel. Audio-Vision: Sound on Screen. Ed. and trans. Claudia Gorbman. New York: Columbia University Press, 1994.
-------. Film as Sound Art. Ed. and trans. Claudia Gorbman. New York: Columbia University Press, 2009.
Colavito, J. Rocky. “Naked! Screaming! Horror! The Rhetoric of Hype and Drive-In Movie Trailers.” In Horror at the Drive-In: Essays in Popular Americana. Ed. Gary Don Rhodes, 41-52. Jefferson, NC: McFarland, 2003.
Collins, Karen, ed. From Pac-Man to Pop Music: Interactive Audio in Games and New Media. Ashgate Publishing, Ltd., 2008.
Cook, Nicholas. Music: A Very Short Introduction. Oxford: Oxford University Press,2000.
Corliss, Richard. “Coming Attractions.” Film Comment 33, no. 3 (1997): 14-23.
Cornea, Christine. “In Focus: The Practitioner Interview in Film and Television Studies.” Cinema Journal 47, no. 2 (2008): 117-154.
Davison, Annette. “The Show Starts Here: Viewers’ Interactions with Recent Television Serials’ Main Title Sequences.” Sound Effects 3, nos. 1/2 (2013): 6-22.
-------. “Title Sequences for Contemporary Television Series.” In The Oxford Handbook for New Audiovisual Aesthetics. Eds. J. Richardson, C. Gorbman, and C. Vernallis, 146-167. New York: Oxford University Press, 2013.
Deaville, James. “Recut and re-tuned: Fan-produced parody trailers.” The Journal of Fandom Studies 4, no. 2 (2016): 209-223.
Deaville, James and Agnes Malkinson. “A Laugh a Second? Music and Sound in Comedy Trailers.” Music, Sound, and the Moving Image 8, no. 2 (2014): 121-140.
Devlin, Michael, L. Todd Chambers, and Coy Collison. “Targeting Mood: Using Comedy or Serious Movie Trailers.” Journal of Broadcasting & Electronic Media 55, no. 4 (2011): 581-595.
Donnelly, Kevin. Film Music: Critical Approaches. Edinburgh, UK: Edinburgh University Press, 2001. -------. The Spectre of Sound: Music in Film and Television. Berkeley, CA: University of California Press, 2005.
Dornaletetxe, Jon. “Between Narrative and Rhetoric in Movie Trailers.” Ambitos: RevistaInternacional De Comunicación 24 (2014): 141-150.
Dorey, Tom. “Fantastic Mr Filmmaker: Paratexts and the Positioning of Wes Anderson as Roald Dahl's Cinematic Heir.” New Review of Film and Television Studies 9, no. 1 (2011): 1–17.
Drake, Philip. “‘Mortgaged to Music’: New Retro Movies in 1990s Hollywood Cinema.” In Memory and Popular Film. Ed. Paul Grainge, 183-201. Manchester: Manchester University Press, 2003. Earnest, Olen J. “Star Wars: A Case Study of Motion Picture Marketing.” Current Research in Film 1 (1985): 1-18.
Eastman, Susan Tyler, David E. Bradbury, and Robert S. Nemes. “Influences of Previews on Movie Viewers’ Expectations.” Current Research in Film 1 (1985): 51-57.
Edmond, Maura. “Here We Go Again: Music Videos After YouTube.” Television & New Media 15, no. 4 (2014): 305-320.
Everett, Wendy. “Image, Music, Film.” Studies in European Cinema 5, no. 1 (2008): 7-16.
Finsterwälder, Jörg, Volker G. Kuppelwieser, and Matthew De Villiers. “The Effects of Film Trailers on Shaping Consumer Expectations in the Entertainment Industry. A Qualitative Analysis.” Journal of Retailing and Consumer Services 19 (2012): 589-595.
Flanagan, Mike. “How to Edit a Trailer That Will Get Your Film Noticed.” MicroFilmmaker Magazine 14 (2012), at http://www.microfilmmaker.com/tipstrick/Issue14/EditTrl2.html (accessed January 17, 2016).
Fraser, Cynthia, and J. Andrew Bradford. “Music to Your Brain: Background Music Changes Are Processed First, Reducing Ad Message Recall.” Psychology & Marketing 30, no. 1 (2013): 62-75. Freer, Ian. “The 50 Greatest Movie Trailers of All Time.” Empire (August, 2003): 94-99.
Frenette, Alexandre. “Making the Intern Economy: Role and Career Challenges of the Music Industry Intern.” Work and Occupations 40, no. 4 (2013): 364-397.
Geer, Jennifer. “J. M. Barrie Gets the Miramax Treatment: Finding (and Marketing) Neverland.” Children's Literature Association Quarterly 32, no. 3 (2007): 193-212.
Genette, Gérard. Paratexts: Thresholds of Interpretation. Cambridge: University of Cambridge, 1997. Gorbman, Claudia. “Aesthetics and Rhetoric.” American Music 22, no. 1 (2004): 14-26.
-------. Unheard Melodies: Unheard Film Music. Bloomington, IN: Indiana University Press, 1987. Gordon, Julia Mullen. “The Ten Best Movie Trailer Songs of All Time (No, Not ‘Kung Fu Fighting’).”
Seattle Weekly Blogs. (June 7, 2011, at http://www.seattleweekly.com/reverb/2011/06/the_ten_best_movie_trailer_son.php (accessed September 27, 2016).
Grainge, Paul, and Catherine Johnson. “Interview[ing] Media Professionals.” Institute for Screen Industries Research video, 34:57, June, 2014. http://www.nottingham.ac.uk/research/groups/isir/projects/industrial-approacheshttp://www.nottingham.ac.uk/research/groups/isir/projects/industrial-approaches-to-media/industrial-approaches-to-media-inaugural-event.aspxtomedia/industrial-approaches-to-media-inaugural-event.aspx (accessed September 27, 2016).
-------. Promotional Screen Industries. United Kingdom: Routledge, 2015.
Gray, Jonathan. Show Sold Separately: Promos, Spoilers and Other Media Paratexts. New York: New York University Press, 2010.
-------. “Television Previews and the Meaning of Hype.” International Journal of Cultural Studies 11, no. 1 (2008): 33-49.
Green, Jessica. “Understanding the Score: Film Music Communicating to and Influencing theAudience.” Journal of Aesthetic Education 44, no. 4 (2010): 81-94.
Greene, Frederick L. “Working in the World of Propaganda: Early Trailers & Modern Discourses of Social Control.” Frames Cinema Journal 3 (May, 2013), athttp://framescinemajournal.com/article/working-in-the-world-of-propaganda-early-trailers-
moderndiscourses-of-social-control (accessed September 27, 2016).
Greene, Frederick L., Keith M. Johnston, and Ed Vollans. "Would I Lie to You? Researching Audience Attitudes to, and Uses of, the Promotional Trailer Format." International Journal of Media & Cultural Politics 10, no. 1 (2014): 113-120.
Hadida, Allègre L., and Thomas Paris. “Managerial Cognition and the Value Chain in the Digital Music Industry.” Technological Forecasting and Social Change 83 (2014): 84- 97.
Hamel, Keith. “From Advertisement to Entertainment: Early Hollywood Film Trailers.” Quarterly Review of Film & Video 29, no. 3 (2012): 268-278
Haralovich, Mary Beth, and Cathy Klaprat. “Marked Woman and Jezebel: The Spectator-in-the Trailer.” Enclitic 5-6, nos. 1-2 (1981-1982): 66-74.
Hediger, Vinzenz. “A Cinema of Memory in the Future Tense: Godard, Trailers and Godard Trailers.” In Forever Godard: The Work of Jean-Luc Godard, 1950 to the Present. Ed. James Williams, Michael Temple and Michael Witt, 144-159. London: Black Dog Publishing, 2003.
-------. “’I was expecting it to be more violent, more killing’. Boyz’n’the Hood und die verlockende Schönheit von Gewalt in Kinotrailern.” In Gewaltbilder. Zur Ästhetik der Gewalt. Ed. Roger Fayet, 54-65. Zürich: Edition Museum Bellerive, 2002.
-------. “‘L’image de l’auteur dans la publicité’: A propos des stratégies auto-promotionelles de Cecil B.
DeMille et Alfred Hitchcock.” In Politique des auteurs et theories du cinéma. Ed. Jean-Pierre Esquenazi, 39-66. Paris: L’Harmattan, 2002.
-------. “‘Make them as entertainment’.Wie der Trailer im Jahr 1934 die Weihen der Unterhaltungskunst erhielt.” Cinema 41 (1998): 128-140.
-------. “Reiz, Qualität und Ausdruck. Zur Funktion der Typographie in Kinotrailern.” In Schrift und Bild in Bewegung. Ed. Hans-Edwin Dietrich and Uli Jung, 139-162. Bielefeld: Aisthesis, 2002.
-------. “Self-Promoting Story Events: Serial Narrative, Promotional Discourse and the Invention of the Movie Trailer.” In Il film e i suoi multipli. Ed. A. Antonini, 295-305. Udine: Forum, 2003. 295305.
-------. “Trailer On-Line. Der Hypertext als Paratext oder das Internet als Vorhof des Films.” In Paratexte in Literatur, Film und Fernsehen. Ed. Georg Stanitzek and Klaus Kreimeier Berlin, 286-301: Akademie Verlag, 2004.
-------. Verführung zum Film: Der amerikanische Kino-Trailer seit 1912. Zürcher Filmstudien 5. Zürich: Schüren, 2001.
-------. “Das vorläufige Gedächtnis des Films. Anmerkungen zur Morphologie und Wirkungsästhetik des Kinotrailers.” Montage AV 8, no. 2 (1999): 111-132.
Hesford, Daniel. “‘Action… Suspense… Emotion!’: The Trailer as Cinematic Performance.” Frames Cinema Journal 3 (May 2014), at http://framescinemajournal.com/article/action-suspensehttp://framescinemajournal.com/article/action-suspense-emotion-the-trailer-as-cinematic-performance/emotionthe-trailer-as-cinematic-performance/ (accessed September 27, 2016).
-------. “The Art of Anticipation: The Artistic Status of the Film Trailer and its Place in a Wider Cinematic Culture.” PhD diss., University of Edinburgh, 2013.
Hixson, Thomas K. “Mission Possible: Targeting Trailers to Movie Audiences.” Journal of Targeting, Measurement and Analysis for Marketing 14, nos. 3-4 (April, 2006): 210-224.
Hoeckner, Berthold, and Howard C. Nusbaum. “Music and Memory in Film and Other Multimedia:
The Casablanca Effect.” In The Psychology of Music in Multimedia, q.v., 235-266.
Ivory, James. “Sneak Peeks at Insurrection: Portrayals of the Irish Republican Army in Film Trailers.” Atlantic Journal of Communication 15, no. 3 (2007): 214-229.
Jackson, Blair. “Trailer Mixing and Music: Selling the Film through Commerce and Art.” Mix 30, no. 8 (August, 2006): 58-62.
Jackson, Daniel, Richard Jankovich, and Eric Sheinkop. Hit Brands: How Music Builds Value for the World's Smartest Brands. New York: Palgrave Macmillan, 2013.
James, Daniel. “Featured Tutorial: Writing Trailer Music with Only Komplete 7.” Film and Game Composers: Interviews with Composers for Media, May 5, 2011, athttp://www.filmandgamecomposers.com/tutorials/featured-tutorial-writing-trailer-music-withonlykomplete-7 (accessed September 27, 2016).
Jenkins, Henry. Convergent Culture. New York: New York University Press, 2006.
Jensen, Charlotte Sun. “Reduced Narration, Intensified Emotion: The Film Trailer.” Projections 8, no. 1 (2014): 105–125.
Jetnikoff, Anita, and Chrystal Armitage. “Creativity Is As Important As Literacy: Making A Film Trailer Responding to Literature.” Words’ Worth 46, no. 1 (2013): 9-15.
Johansen, Steven J. “Coming Attractions: An Essay on Movie Trailers & Preliminary Statements.” Legal Communication and Rhetoric: JALWD 10 (2013): 41-273.
Johnson, Catherine. “The Mutual Benefits of Engaging with Industry.” In Screen Focus. Nottingham, UK: University of Nottingham, 2013. Athttp://blogs.nottingham.ac.uk/screenfocus/2013/12/11/engaging-industry/ (accessed September 27, 2016).
Johnson, Derek. “Understanding Media Industries from All Perspectives.” In Institute for Screen Industries Research. Nottingham, UK: University of Nottingham, 2014. Athttp://www.nottingham.ac.uk/research/groups/isir/projects/industrial-approaches-to-
media/derekjohnson.aspx (accessed September 27, 2016).
Johnston, Keith M. Coming Soon: Film Trailers and the Selling of Hollywood Technology. Jefferson, NC: McFarland, 2009.
-------. “‘The Coolest Way to Watch Movie Trailers in the World’: Trailers in the Digital Age.” Convergence: The International Journal of Research into New Media Technologies 14 (2008): 145-160.
-------. “‘An Intelligent and Effective Use of the Rival Screen’: Re-Discovering Early British Television Trailers.” Media History 17, no. 4 (2011): 377-388.
-------. “‘Three Times as Thrilling!’: The Lost History of 3-D Trailer Production, 1953-54.” Journal of Popular Film and Television 36, no. 3 (2008): 150-160.
-------. “Sound and (No) Vision: Locating the Radio Trailer.” Music, Sound, and the Moving Image 8, no. 2 (2014): 163-178.
Johnston, Keith M., Vollans, E., and Greene, F.L. (in press, expected November 2016). “Watching the Trailer: Researching the Film Trailer Audience.” Participations.
Kalinak, Katherine. Film Music: A Very Short Introduction. New York: Oxford University Press, 2010.
Karray, Salma and Lidia Debernitz. “The effectiveness of movie trailer advertising.” International Journal of Avertising (2015): 1-25.
Kassabian, Anahid. Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music. New York: Routledge, 2001.
Kelly, Stephen. “Movie Trailer Music: It’s Not What You Think.” The Guardian, August 25, 2011, at http://www.guardian.co.uk/film/2011/aug/25/movie-trailer-music?INTCMP=SRCH (accessed September 27, 2016).
Kendall, Lukas. “The Art of Scoring Trailers: John Beal.” Film Score Monthly Magazine, no. 35 (July, 2003): 6-7; no. 36/37 (August/September, 1993): 18–19.
Kernan, Lisa. Coming Attractions: Reading American Movie Trailer. Austin, TX: University of Texas Press, 2004.
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Kerzoncuf, Alain, and Nándor Bokor. “Alfred Hitchcock’s Trailers.” Senses of Cinema 35 (2005) and 36 (2005), at http://www.sensesofcinema.com/2005/feature-articles/hitchcocks_trailers/ and http://www.sensesofcinema.com/2005/36/hitchcocks_trailers_part2/ (accessed September 27, 2016).
Kim, Jin-Woo. “Does Movie Trailer Release During the Super Bowl Really Work?” International Journal of Integrated Marketing Communications 5, no. 2 (2013): 67.
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Koller, Mirjam. “The ‘Road of Life’ in the Film Trailers of Ingmar Bergman’s the Seventh Seal and Wild Strawberries." Journal of Scandinavian Cinema 3, no. 1 (2013): 35-39.
Kulezic-Wilson, Danijela. “Sound Design is the New Score.” Music, Sound and the Moving Image 2, no. 2 (2008): 127-131.
Lantos, Geoffrey P., and Lincoln G. Craton. “A Model of Consumer Response to Advertising Music.” Journal of Consumer Marketing 29, no. 1 (2012): 22-42.
Larson, Randall D. “Interview. Scoring Movie Trailers with Chris Field.” Film Music Magazine 6 (2006): 36-39.
Lathrop, Tad. This Business of Global Music Marketing: Global Strategies For Maximizing Your Music's Popularity and Profits. New York: Random House 2013.
Lehman, Frank. “Trailers, Tonality, and the Force of Nostalgia.” Musicology Now (November 4, 2015), at http://musicologynow.ams-net.org/2015/11/trailers-tonality-and-force-of-nostalgia.html (accessed September 27, 2016)
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Lin, Yi-Shin, and Yu-Shing Chang. “Music Platform Competition and Advertising Strategy in the Duopoly Music Industry.” Proceedings of 2013 4th International Asia Conference on Industrial Engineering and Management Innovation (2014): 433- 443.
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Trailer Houses
United States
Aspect Ratio Inc., Los Angeles, CA
AV Squad Inc., Los Angeles, CA
Buddha Jones, Los Angeles, CA
CARVE, Los Angeles, CA
The Hit House, LLC, Torrance, CA
Ignition Creative, Los Angeles, CA
Industry Creative, Los Angeles, CA
Jump Cut Creative, New York, NY
Mark Woollen & Associates, Santa Monica, CA
Mob Scene, Beverly Hills, CA
MOcean, Los Angeles, CA
Trailer Park, Inc., Los Angeles, CA
TRANSIT, Santa Monica, CA
Vibe Creative, Los Angeles, CA
Canada
Agency 71 Productions Inc., Toronto, ON
Chopper Pictures Inc., Toronto, ON
Goldtooth Creative, Vancouver, BC
REZ, Montreal, QC
Traction Creative, Vancouver, BC
Music Production Houses
United States
Audio Machine, Santa Monica, CA
Brand X Music, Los Angeles, CA
The Cutting Edge Group, Los Angeles, CA
Digital Assassin Music, Los Angeles, CA
Evolution Music Partners, Canyon Lake, CA
Extreme Music, Los Angeles, CA
Immediate Music, Santa Monica, CA
Megatrax Production Music, Los Angeles, CA
Music Junkies, Inc., Los Angeles, CA
Nick Murray Music, Los Angeles, CA
Ninja Tracks, Los Angeles, CA
Universal Music Publishing, Santa Monica, CAX-Ray Dog Music, Los Angeles, CA
Canada
Dream Machine, Toronto, ON
Audio Network Canada, Whitby, ON
Third Side Music, Montreal, QC
Germany
Eon Sounds, Berlin, Germany
Fan Websites
ComingSoon.net, at http://www.comingsoon.netFilmTrailer.com, at http://uk.filmtrailer.comiTunes Movie Trailers, at http://trailers.apple.com/trailers
Movie Trailers 101 - http://www.movietrailers101.com/author/MovieTrailers/
Movie Trailer Music, at http://adtunes.com
Soundtrack.net, at http://www.soundtrack.net/trailers
Trailer Addict, at http://www.traileraddict.com
Trailer Music News, at http://www.trailermusicnews.com
TrailerMusic.blogspot.com, at http://trailermusic.blogspot.com
Trailers – IMDB, at http://www.imdb.com/features/video/browse/trailer
